Curdella Forbes’ A Tall History of Sugar

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Hardcover Publication Date: October 1, 2019 / Publisher: Akashic Books

A Tall History of Sugar delivers a tall order of beautiful language, a giddy, glorious and, yes, intoxicating order.  Just as I wrote this, one tiny example came to mind, two words only: “ploughing darkness”.  Dark, but lovely, isn’t it?  How recognizable to any of us afflicted by the human condition.  Hard work, that ploughing, and usually fruitless.  Next time I find myself cultivating my particular patch in the “slough of despond” I’ll know what to call it. 

OK, OK, this intoxicating novel of modern day Jamaica.  Ms. Forbes’ enchanting words took me to Jamaica right away, a sugar rush of language and culture.  Growing sugar cane is and has been pervasive in Jamaican history:  plantations enriching the British Empire, labor supply feeding off the slave trade, the black smoke of cane fires blanketing the island to this day.  And so begins the love story of Moshe and Arrienne .  

When newly born, Moshe (Moses) was found abandoned in the sea grapes and taken in by childless Rachel and Noah.  Through some defect of birth or, perhaps, his mysterious parentage, he is strikingly different and will be all his life.  His skin bleeds at a touch and is white as milk, but his facial features are those of a black man.  One eye is blue, the other brown, and his hair is a combination of blond and straight, black and curly.  Moshe and Arrienne meet as school children.  She is a growing beauty and dark as midnight.  She’s also fierce, practiced in tae kwan do and readily assumes the role of protector and constant companion to MosheShe thinks of the two of them as twins or, sometimes, “nottwins”, and they can communicate without speaking.  As adults, they lose this ability and are estranged, but there remains an inexorable pull, a need for each other. 

While Arrienne is out-spoken, quick to anger and fully human, Moshe, to me, was more of a being than a person – perhaps (probably?) purposely.  I usually step lightly around symbolism because you can always find something if you want to, but Moshe’s character struck me as Christ-like.  Not without sin, but tormented and stoic, paying for something, bleeding.  Hmmm, well………you’ll have to come to your own conclusions.  Ms. Forbes is a writer-to-the-bone, and I won’t presume to speak for her. Intoxicating, yes, and as lyrical as Jamaican patois.  Sorry, I’ve rambled on too long, but it’s my word hangover talking.  Speaking of patois (way to segue), I was intrigued and went online to explore.  Guess what?  There are lessons!  Some say it is a language, and others call it a dialect, but, no matter, it’s beautiful – as is Ms. Forbes’ moving book.  Worth the word hangover.

Why To Kill a Mockingbird Matters: What Harper Lee’s Book and America’s Iconic Film Mean to Us Today

Don’t have to tell you what this book is about, now do I?   Does it satisfy us with its answers to those questions is what we want to know, I suppose.   From the accessibility of Harper Lee’s beautiful book to its timing in relation to the civil rights movement, from the perfect casting of the movie and its quiet intensity, we are encouraged and provoked by the literal and the figurative, delighted and horrified, and, of course, of course, we have never been the same.  Mr. Santopietro’s book is not only scholarly and thoughtful, but, an added bonus, it is a delightful read as well.

Full Disclosure: A review copy of this book was provided to me by St. Martin’s Press via NetGalley. I would like to thank the publisher and the author for providing me this opportunity. All opinions expressed herein are my own.