Hans Fallada’s Nightmare in Berlin


Written and set in Germany just after the end of WWII and the fall of the Nazi regime, this novel is not a pleasant read.  An ambitious country and a proud people drank the Kool-Aid for twelve years, and now lie in ruin.  The German people are almost universally held in contempt; any Berlin building with windows intact is a miracle; conquering armies (Russia, in this instance) are feared.  Conflicts arise between those who supported Hitler and those who did not, and even some of the latter are beginning to view his regime as a time of plenty and, perhaps, to wish for its return.  Understandably in distress, characters show their baser sides, and most are quite dislikeable.

Though this novel is widely considered autobiographical, Hans Fallada (pen name of author Rudolf Ditzen) denied this.  However, his central actor, Dr. Doll, is a German author of note, and most of his story here does seem to parallel that of Fallada, who has been compared to Mann and Hesse.   As Germany struggles with the aftermath of all-out war, Dr. Doll struggles with financial ruin, addiction, frequent hospitalizations, a difficult, much younger wife (also an addict) and the contempt of his neighbors, and, even though Dr. Doll has hopeful moments, you somehow know that he is not convinced.

Yes, this resurrected novel is dark, dark and challenging, but it is important for its contemporaneous look at Germany after the war, for its probing insight into human honesty and deceit, and for the artistry of the work.  Fallada/Ditzen wrote only one more work, Alone in Berlin, before he died in 1947, but Dr. Doll and a fallen Berlin will return to you time after time.

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Full Disclosure:  A review copy of this book was provided to me by Scribe US via Edelweiss in exchange for an honest review.  I would like to thank the publisher and Edelweiss+ for providing me this opportunity.  All opinions expressed herein are my own.

Lu Yao’s Life

What an opportunity we readers have here.  Chinese author Lu Yao had only two published works and died at the age of forty-two, but Life, this superb novella published in 1982 and still a bestseller in China, is now in English translation.  It’s the early Eighties, rural China begins a slow forever change, begins to turn away from the community and culture of eons; and we meet Gao Jialin, the educated son of peasants.  A sympathetic character, he’s lost his prestigious teaching job, lost face, and is in despair.  Lu Yao shares only a brief span of this young man’s life with the wrenching decisions he must make between the known past and the unknown future, a story that portends China’s path from rural to urban.

So very Chinese, yes, but absolutely stunning in its universality.  Human beings, past, present, and forever, have acted and will act as this young man does and as those around him do.  What is loss of face, but pride, hubris?  Do we choose generosity of spirit or cunning ambition?  Betrayal or trust?  What are we but “I want”?  Lu Yao’s quiet work could have played out on a stage in ancient Greece.  And one of the simplest, most beautiful opening paragraphs I’ve ever read begins “On the tenth day of the sixth month of the lunar calendar, the evening sky was…”

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Full Disclosure: A review copy of this book was provided to me by AmazonCrossing via NetGalley. I would like to thank the publisher and the author for providing me this opportunity. All opinions expressed herein are my own.